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The Diamonds ~ Early Recordings

White bucks. Brush cuts. The postwar boom was underway.

Television had arrived and style was the watchword in everything from fenders to fashion. These were some of the defining qualities of the 1950s, when restraint and rationing had given way to optimism.

Fuller Brush men were going door to door, while teenagers were "going steady." Guy groups were all the rage. THE FOUR ACES and THE FOUR LADS were favourites. But, for some, none sparkled brighter than THE DIAMONDS.

"Why Do Fools Fall In Love?", "Church Bells May Ring" and the late night sight of two "Silhouettes" on the shade. By the end of 1957 The Diamonds enjoyed their first million seller, their smash hit of "Little Darlin'". The Diamonds were climbing the charts with their second million-selling original "The Stroll", thanks to an appearance on Dick Clarks "American Bandstand." Their debut album later that year dubbed them "America's Number One Singing Stylists."

Unknown to many, however, The Diamonds actually began in Parkdale, a suburb of Toronto, Canada, when two sets of brothers began singing for fun in the early 1950s. Mike Douglas and his older brother, Larry, teamed up with Tedd and Pete Kowalski. Fans of The Four Aces, The Four Lads and The Mills Brothers, the new group emulated their sounds. Before long, Larry and Pete moved on and fellow Torontonians Bob Danko and Bill Reed stepped in as their replacements.

Their first big challenge? The group needed a name. Bill suggested "The Boulevardeers." (Images of singing under a lamp post?)
It was rejected. Another group by the same name had been recording for Atlantic Records and was on the downhill run. Besides, it was too long. Instead, Bob christened them "The Four Diamonds."

There was high turnover in the group in those early days. Tedd left to study at the University of Toronto, then formed a breakaway group with two fellow students, Phil Levitt and Stan Fisher. The trio invited Bill Reed to join them as their bass singer.

Around the same time, they met another young singer, David Somerville, then working as an audio engineer for the Canadian Broadcasting Corporation. David studied singing with Dr. Ernesto Vinci, a medical doctor and voice teacher. At first, David signed on to coach the group, but later became lead vocalist when Stan Fisher devoted himself full time to his studies. The group's first professional gig was in the basement of St. Thomas Aquinas Church in Toronto. They were an instant hit and appearances across Canada soon followed.


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